Working Hard…

Today’s blog is just going to be a quick little update to let you all know how things are going with all the projects I’ve been working on.

Yes, I’ve fallen a little behind on the to-do list, but don’t worry, that doesn’t mean I’ve fallen behind on making music.

Nope, during this little bit of radio silence from me, I’ve been working hard on a number of things. Most importantly, album #3 is  WAY past the 50% finished mark. It’s currently sitting at 23 started tracks, 14 of which I’m almost certain will make the album. That leaves two more perfect tracks that need to somehow materialize before I start focusing in on going back and finishing each song to get the album done (16 songs is sort of a tradition for my main albums and will continue to be). Expect to see a lot of news about the third album, and hopefully some more tastes of it too over the coming months… If you haven’t already listened to “Burnout,” the first track I’ve released from the album, check it out on my Soundcloud page.

Along with album work, I also did music for a few projects and have been finally actively engaging with music libraries, which are one of the better ways to make a living in this business, although something I’ve been putting on the back burner for far too long. Thanks to that work you should be hearing some of my music in some TV shows soon. Hopefully some of them I can let you know about ahead of time. But regardless, that stuff is happening.

I also am seriously backlogged with This Thing Rules reviews. I have demos made for two of them right now (so I just need to write the actual review), but I have four more to do after that. I definitely plan on finishing all six by the end of the year. I have big plans for This Thing Rules and am working to grow it for 2017 and start taking on bigger software and putting more into these reviews. The feedback on them has been great and useful and I want to make sure everyone knows that I am listening… and I want to make sure that YOU are all listening.

I’m also in the planning stages of some EPs that will end up being little collections of even more music that will get released in between albums. I’m not going to go into detail on those right now, but it should be a cool series and allow me to release a lot more music for all of you. I’m currently debating releasing the first one before or after the next album. We’ll see what happens…

Lastly, I’ve been writing some music video ideas for songs from the next album that hopefully can be turned into reality. I have a few already  that I’ve been discussing with some of my collaborators and we’ll see… There could be some really cool videos coming soon. Fingers crossed.

That’s it for now. Thanks for hanging in there. Thanks for listening. If you haven’t already, you can check out all the This Thing Rules reviews and listen to the music demos I include in each one at the This Thing Rules Archives. I’ll be back really soon with my review of The Riser from Air Music Tech. Now it’s time to get back to working hard.

– David

David Rosen is an award-winning music composer. He composes original music for films, commercials, jingles, video-games and all other kinds of media projects. He has a vast music library of original tracks available for licensing and is also available for custom compositions. Contact him on theABOUT page for pricing and availability for your next project.

My Genre of Music

Categorizing my music has always been hard. My influences come from film scores, alternative music, industrial, rap and all kinds of other places. And considering that I compose music for various purposes (my instrumental albums, my soundtracks, my comedy-rap projects which we usually don’t talk about here haha), that makes it even more difficult. Which is why it was so cool when the makers of Every Noise At Once, a new experimental website that shows every possible genre of music (and there are a lot of them) organized in a connected cloud, responded to my tweet asking, “I wonder what genre my music is?”

Their answer? Well it’s not just one genre. That’s not how the site works. However, the closest match in their opinion is what’s known as Epicore. Because of the way Every Noise At Once works, Epicore is just the start. From there, it branches out into a cloud of genres and artists that fit into those genres which you can see in the image below. You can also click on Epicore in this post to take you directly to the section of the site that they sent me, centered around Epicore and moving outward from there. Here are the genres listed and my thoughts on how they apply to me and my music:

2016-06-23 04.13.14

  • Epicore I love the name. Certainly my music that gets really big fits this name. However when I tried to look up Epicore, I found that it was more of a metal based genre used for big, epic metal music. Which doesn’t really describe my music too well.
  • Organic Ambient Interesting description for my music. A lot of my music is ambient, that’s for sure. Organic? Not so much. Although with each album and each film score I work on, I try to get more and more organic sounding (less like it was made on a computer). Still, it definitely sounds cool when applied to my music haha.
  • Mandible This is an odd one since when searching for it I couldn’t even find an example on Google of the phrase “mandible genre” existing. However with that said, after listening to some of the artists Every Sound At Once has tagged as mandible music, I’d say it’s a pretty damn apt description. Although some of the examples get much more urban sounding than my music (there’s definitely a lot of samples and chopped up loops in some of the examples), overall it has a very similar vibe to my more mid-tempo music. Mandible… I like it.
  • Video Game Music Video Games were a HUGE part of my childhood, so there’s no doubt whatsoever that their music had a big influence on me. I don’t really do much work in Video Games as I prefer working in film (although I’m always open to the opportunity to work on more games in the future). But even so, a lot of my music definitely could fit in games and this is a totally appropriate genre.
  • Dark Ambient I loved seeing this one because I’ve actually called my music this before. Dark Ambient and/or Dark Electronica. It really describes what I do and I think it’s one of the most accurate on the list.
  • Hauntology Ooh wow do I love this one. You guys know I love my dark and haunting music. I don’t even know if that’s what Hauntology means but it sure sounds cool. After doing some Googling I found a lot of references to the band Boards of Canada which a lot of people told me I should listen to after hearing my music, so it must be somewhat similar. Either way I love it. Hauntology.
  • Abstractro Another cool name! I should make a song called “Abstractro.” This is making me realize how uncool I have become haha. I used to know all about new music and what’s happening in the world of music, especially back when I worked for Sony Music, but now there’s genres like Abstractro and Hauntology… Who can keep up? I have no idea but I will say that when listening to examples of the genres, this one included some of the best music I heard, so hey, it’s great company to keep.
  • Anime Score Interesting one here. I have never really watched Anime, but from my understanding it’s like a mix of Video Game Music and Film Soundtracks. Very Japanese. Very wild and cool with a mix of synth and orchestral stuff happening. I could be wrong but I think I’m right haha. Anyway, I’ll take it, although I think the orchestral stuff in an most Anime Score music gets much more complex and huge than I could ever hope to create.
  • Scorecore I love this one because it seems like such a perfect word to use in describing my music. I create film scores and I create music for just listening to on albums. Put them together you get scores and some kind of -core music… Why not Scorecore? This genre basically includes every big name Hollywood Film composer you can think of though, so I guess maybe that’s a common term to describe film score composers? I certainly never heard it before. I like it though!
  • Soundtrack Of course Soundtrack would be on the list as all of my music is, by design, supposed to sound like it could be on a soundtrack. Works for me. Works for you? Good.

And that’s the list. Of course the way this connected cloud works, you could click on say Abstractro and find other genres that connect to it and keep moving on and on from there. Every Noise At Once is a really cool website and I suggest you check it out. If nothing else, it will give you an appreciation for just how many different kinds of music are out there, and hopefully, turn you on to some new artists.

Just make sure you check out my FREE newly released Another Sky bonus album first haha. Did I mention it’s FREE?

OH and one more thing before I go… What do YOU think my genre of music is? I’d love to hear. It can be one on the above list or use your own description. Comment below or on Facebook to let me know!

David Rosen is an award-winning music composer. He composes original music for films, commercials, jingles, video-games and all other kinds of media projects. He has a vast music library of original tracks available for licensing and is also available for custom compositions. Contact him on theABOUT page for pricing and availability for your next project.

Another Sky – The Bonus Tracks

Well here’s something I almost forgot to do! A two-part blog about the tracks on my free bonus album, Another Sky!

This first part will go over the bonus tracks that didn’t make it onto the full album An Unseen Sky, and the second blog will be about the remixes that were included. If you haven’t yet, check out this blog to learn how to get a FREE copy of Another Sky. After the second part of this blog series is posted I’ll be releasing Another Sky for EVERYONE on my Bandcamp page. But in the meantime, you can get it right now, for free, while helping me out! Oh and before I forget, how beautiful is that album cover by the wonderful Gina Mizzoni Photography? Alright, lets look at the the bonus tracks.

Closing up 2015

Well here we are at the end of another great year of music. As I finish up 2015 and a lot of loose ends on projects and things I’ve been working on, I also wanted to take a minute to quickly look over this year and let you all know what I’ve been up to.

Lets start with the NOW…

If you haven’t been on my Facebook lately you may have missed my TWO new music videos. Well, the first one is actually a new version of an old one. “An Unseen Sky: The VR Experience” was one of the biggest things I’ve been a part of this year, and my amazing developer Elemental Spark, rebuilt it from the ground up with better graphics, smoother animation, and a new 360 degree version that lets you experience the impressiveness, even without a Virtual Reality headset. The new updated version is also coming to Oculus Rift soon, and is already compatible with Google Cardboard, but now you can also view it on Youtube and on Facebook. Or embedded right here on this blog post! Just use your mouse while the video is playing to click and drag to change your perspective within the video.

The future rules.

An Unseen Sky – Looking Back

Today marks three months since the release of my most recent album An Unseen Sky. I figured this would be a perfect time to look back at the songs on the album (something I planned to do right after the release but never got around to it), and the reaction the album and its music videos has received.

An Unseen Sky is my second full length release, and in a lot of ways, for me, is the thing I’m most proud of in my career so far. Part of that is because it actually has so much in it from my influences like The Cure, Depeche Mode, Nine Inch Nails and other alternative groups that were a huge reason I got into making music. It even has a lot of elements of the industrial music that was the real reason I got a keyboard and some music software and started to learn how to do what I do. I also just love the album. I listen to it constantly. It’s not that I didn’t love my first album, Echoes In The Dark, too. But this album has everything I loved about Echoes In The Dark, and adds so many new kinds of organic layers that just makes the music sit side by side in playlists with my favorite bands’ songs so well.

Here’s some back-story on the songs:

  1. The Lie – I knew I wanted to start the album off with a creeping, dark piece of music, kind of like the last song on Echoes In The Dark, “The Dark.” It came together so perfectly. Sometimes I surprise myself, and I don’t know where those drum fills came from, but I love them.
  2. An Unseen Sky – I actually named a couple of other songs “An Unseen Sky” (the album title actually came to me before Echoes In The Dark was released) before settling on this one. I had a bunch of songs that the title just seemed to fit so well with, but when I made this one, it was just perfect. It also worked great as the music for the amazing Virtual Reality Music Video that Elemental Spark made for me, “An Unseen Sky: The VR Experience.” For those that didn’t hear about it (you can read more in this blog post), it’s one of the first of its kind, ever, and got a ton of attention. It’s been downloaded 1000s of times and put me in front of a lot of people at various events
  3. Forgotten – This was my early favorite track on the album. I knew a 2nd album would be coming sooner rather than later after I made this one. A lot of the extra layers that come in at the end got added only in the last couple weeks before finalizing the album.
  4. Dreams Like These – This was sort of the first “single” off the album, since I put out the music video on New Years Day. It’s just such a cool track and so different for me. I’m really proud of it, and really proud of the music video. I didn’t do a big festival push with it because I’ve already done that with two of my public domain footage-based videos, but I did just submit it to a couple fests, so who knows, maybe it will get some extra attention soon.
  5. Last Kiss – I absolutely love this song. I actually have a very in-depth music video idea for it… I just need the right people (and some money) to make it with. This is just one of those songs that I listen to and can’t believe I made.
  6. Cut Open – This one changed a million times during the making of it. There’s seriously like 20 different versions floating around on my hard drive. I’m hoping that a music video will happen for it because it is probably the biggest, most exciting piece of music I’ve ever made. I’ve had 3 filmmaker friends discuss doing a video for it, so I wouldn’t be surprised to see one happen…
  7. Shadows on the Ceiling – The music video for this one, directed by A.R. Kagan has already been accepted into 5 film festivals and won the Global Independent Film Awards “Best Music Video” award. It’s also the track that stands out to most people as their favorite on the album.
  8. The Fallout – An early version of this track actually placed in a contest for Rekkerd.org to make a song that is inspired by your favorite band. I of course picked The Cure, and the response was really great. I added a lot more electronic flourishes for the final version, but the main melody and overall feel of the music I think really captured mid/late era Cure in a way that I’m really proud of.
  9. Phantom – I actually started this song BEFORE Echoes In The Dark was released. It was kind of a mess though, but the main driving rhythm I thought was too cool to just let go. I kept going back to it over and over to try to turn it into something, and while it took a long, long time, I think I got it.
  10. Into The Black – The last track I made for the album. I actually took a break from mastering the album to play with this new synth called u-He Hive (which I reviewed in my This Thing Rules blog series), as well as some expansion packs I had bought for iZotope’s Break Tweaker. This track  happened and right away I knew that it needed to be on the album. It’s super dark, and has a really cool feel to it.
  11. A Decision – For those that really pay attention to all the music I put online, you may have heard this track a while back. For a little while I was planning on my 2nd album being more of a very ambient, lighter album (that will happen eventually, just not this time around). To start getting the buzz going for that idea, I released this track on my new music player on the homepage of this website. I still really like the track so I decided to keep it on An Unseen Sky, even though the full album changed direction. I still think it fits really well as a place of calm, especially in the play order between “Into The Black” and “Dead Battery,” two of the heaviest, darkest songs on the album.
  12. Dead Battery – I made this one with the specific goal in mind of doing something like Nine Inch Nails so that Doug Farra, a huge NIN fan and the director of my “If Only Tonight I Could Sleep” music video could have something to work with for our next collaboration. While a start date on the video has been pushed back for now due to other projects, we have a really awesome idea for it, and it will happen eventually, and it’s going to be insane.
  13. A Stranger – Another early track that grew and changed as time went on. With the album out now for a few months and letting the whole thing really settle in, this has become my personal favorite track. Something about it is just so cool to me. Part of it may be that it doesn’t feel like I made it… Which is fitting given the title haha. But yea, it’s hard to put my finger on it, but I love this track.
  14. Fragile Things – I knew I wanted a track that was upbeat but still very quiet and hushed in a way that would make for great tension. This is definitely the one track on the album that doesn’t quite sound the same as the others, but I think it works regardless, and definitely captured a specific sound I wanted to try to make.
  15. Every Little Bit – As I was finishing the album, I realized that there wasn’t enough songs with a heavy electronic influence. I spent so much time trying to capture more of an alternative feel, I left behind a lot of the electronic sounds that made Echoes In The Dark such a success. So “Every Little Bit,” was the place for me to go for straight up electronic music and try to make something that still fit the album, but brought back some more of that influence.
  16. Never – I don’t care how many albums I make in my lifetime, I’m always gonna end with a big huge dramatic finish. “The Dark,” on the last album did it, and I ended An Unseen Sky with this over the top, meant to be played LOUD, burner of a track. A music video is actually being made for it by Free Your Mind Films, a company out of New York who I’ve scored two short films for (“Unrequited” which was just released today, and “The Usher“). It’s really exciting because I never would have pictured this song as one that would get a video, but I think it’s going to come out great.

And that’s the album! The reaction so far to it has been really great. My only real disappointment has been the lack of press I’ve gotten (thank you to the few outlets that have reviewed the album or talked about it and my music). It really is tough getting the word out, but I keep pushing, every day, every week to get these songs the notice that I believe they deserve. During the Las Vegas Lift-Off Film Festival (where both “Shadows on the Ceiling” and “If Only Tonight I Could Sleep” were official selections and had screenings), FOX 5 News More Access aired an interview about the festival where they specifically spoke to me and April Kagan, the director of “Shadows on the Ceiling.” You can watch that here. That was a great piece of press. With each new music video, I get a chance to start pushing the album more and more. If you’re a writer or blogger or podcaster and I sent you my album and you didn’t review it… You better believe I’m going to be following up with you haha.

An Unseen Sky (Back Cover - FINAL) (Large)

So what’s next for An Unseen Sky? Well aside from the “Never” music video, more festival notifications for “Shadows on the Ceiling,” and more promotional events for “An Unseen Sky: The VR Experience…” You may remember that with Echoes In The Dark, I released a special, FREE downloadable bonus album of B-Sides (really just extra tracks that didn’t fit on the regular release) and remixes called Further Into The Dark. It was sent, for free, to people who purchased the CD version of the album and/or people who supported my “If Only Tonight I Could Sleep” Fundraiser… Well I’m doing it again.

I don’t have an exact release date picked out, and the track list and album cover are still in the works, but I’m proud to announce that Another Sky will be the next bonus album of B-Sides & Remixes. Again, people who pre-ordered and/or purchased the CD version of An Unseen Sky will get a copy for free when it’s ready. There will also be other ways to get your hands on this bonus album, which let me tell you, is coming out awesome. I’ve already got 4 amazing remixes from some great musicians, and the bonus tracks are definitely stuff you’re going to want to hear… I’m aiming for a late-August / early-September release… But we’ll see what happens. Just know that it’s coming. Soon.

So I think this blog ended up being much, much longer than I anticipated. I guess I like writing about my music. What can I say? Hope you enjoyed reading. Hope you enjoyed An Unseen Sky. If you did, please make sure to go to the digital music store of your choice (mainly, iTunes, Amazon, CD Baby or Google Play) and leave a review of the album. It helps get it seen if the album is getting action on those sites. So get to it and let me know how you liked it. I’m done typing for now.

David Rosen is an award-winning music composer. He composes original music for films, commercials, jingles, video-games and all other kinds of media projects. He has a vast music library of original tracks available for licensing and is also available for custom compositions. Contact him on the ABOUT page for pricing and availability for your next project.

 

An Unseen Sky – Pre-order

Well, the time has finally come. After months and months of work, An Unseen Sky is available for pre-order!

The easiest way for you to pre-order is at bandcamp where you can get the digital MP3 version for $7 or the actual physical CD for $10. Either way, you’ll get an instant download of the tracks “An Unseen Sky” and “Dreams Like These” and you’ll receive the rest by April 7th. I’ll also be doing an iTunes special pre-order which gets you “Shadows on the Ceiling” early. The iTunes version will be up in a week or so.

An Unseen Sky - The Back Cover
An Unseen Sky – The Back Cover

Now if you want MY advice… I say you should order the actual CD version. It’s only a few bucks more, but you’re getting a limited edition product that’s something you can actually hold and feel. Like the old days! All the artwork was created by me using photos by my girlfriend and official photographer, Gina Mizzoni (by the way, Happy Anniversary, Bear!). And not only that, but you’ll also get a copy of my next downloadable album of bonus tracks and remixes like I did with Echoes In The Dark. It’ll feature four more songs and at least four remixes. All for an extra $3. But… if you decide to go for digital only because you just don’t have room in your home for one more actual CD, don’t worry… I’ll be doing contests and other things to get those bonus tracks into people’s hands (or more specifically, onto their phones and ipods haha) in the future. But I still think you should get the real CD.

You can find the pre-order over at https://davidrosen.bandcamp.com/album/an-unseen-sky 

I can’t wait for you to hear this album. I love it. I think you will too.

Lots of other news coming, so you’re going to be seeing a lot more blog posts over the next couple weeks. Then I’ll return to my normal schedule of making lots of music and less blog posts haha.

– David

An Unseen Sky – The Tracklist

An Unseen Sky is almost here, and to get you all excited, I figured it would be a good time to reveal the tracklist. I am going to do a more in-depth follow-up to this post with my full thoughts on all of the songs after the album is released and people have gotten a chance to really check it out. But just to wet your appetite, here is the final tracklist for An Unseen Sky.

  1. The Lie
  2. An Unseen Sky
  3. Forgotten
  4. Dreams Like These
  5. Last Kiss
  6. Cut Open
  7. Shadows on the Ceiling
  8. The Fallout
  9. Phantom
  10. Into The Black
  11. A Decision
  12. Dead Battery
  13. A Stranger
  14. Fragile Things
  15. Every Little Bit
  16. Never

Oh… And I should probably mention now that the An Unseen Sky is 100% FINISHED. Done. Getting pressed up now. Like last time, I’m going to be doing a pre-order special which I’ll announce in the next couple weeks, as well as a bonus download of remixes and bonus tracks which will only be for people who pre-order and/or buy a copy of the limited edition CD of the album. You’re going to want it. Trust me.

– David

“Dreams Like These” Feedback

First and foremost, if you haven’t already checked out “Dreams Like These,” aka the first track off my upcoming second album An Unseen Sky and brand new music video, check it out now!

Great. How’d you like it? Did you give it a thumbs up and comment on it and share it? Good. Now onto the blog post.

I was really excited to get feedback on this because it’s the first taste of the new album, so I’ve been going all out to get it seen and heard. Facebook and Twitter are great and all, but you don’t always get traction, especially with the way Facebook hides page posts from the majority of your followers, so I posted the video in numerous music forums around the internet as well as on two pay for feedback services which I’ll get into in further detail below.

First off, on social media and the forums, honestly the feedback has just been ridiculously great. For both the song itself and the video. It really makes me happy to hear such great feedback. I’m happy with negative feedback too, especially since I still have time to perfect things before the album version of the song (although I’m pretty sure this is gonna be IT). My friends and family all seem to really like it, as well as people like you who have always been there to check out my new music. To be honest, “Dreams Like These” isn’t even my favorite track on An Unseen Sky, so I think you’re all gonna be really loving this new album.

Second up is Fluence.io, an awesome service that connects you with music bloggers and professionals to get feedback. Bloggers can set a cost per minute to listen to your music and write a review. It’s up to them then if they’d like to share it. You can also just end up getting free feedback if your music is fed to the right writer. I’ve gotten a lot of great feedback on “Dreams Like These” and my last video, “If Only Tonight I Could Sleep” on Fluence, some of which was positive some negative. Mostly positive though. My favorite note I received so far was from Leks Maltby of the blog Aside/Beside: A Planet of Sound, “Slow burning and ever-evolving, this song is a three-and-a-half minute climax in slow motion.” Now honestly… What friend or family member is gonna give me a quote that awesome about my music? Haha. I love it. Fluence also did an amazing feature on me a couple weeks ago. If you haven’t seen it yet, you can read it here: http://blog.fluence.io/emerging-artist-spotlight-david-rosen/

The final place I’ve been getting feedback is a service called Audiokite.com. This is one of those services where you submit a piece of music, and a bunch of anonymous people listen to it and have to give feedback. I did this once before on Reverbnation’s version and got some truly useless feedback from people who clearly only listen to Jay-Z and Black Eyed Peas and didn’t understand that there are other genres of music out there. Half the comments I got on that one asked why there wasn’t any lyrics or rapping. Wonderful. But Audiokite’s version gave me a great, well rounded report which you can actually see for yourself here.

word-tag-cloud

You can see above some of the words used to describe the music. Sure there’s some negative ones like disinterested or bored…. But for the most part, it’s some really great stuff and most importantly, really interesting to read. If you click thru to the full report you can also see demographics info (it seems older people like my stuff the most), how long people listened, where they’re from, some licensing uses they think my music would be best for (sci-fi seemed to be the top) and more. It’s all really interesting and really useful stuff. Best of all of course are the reviews themselves. Some are negative… You can’t please everybody. But some are just great and detailed. One great example: “I wish the drum had a fuller sound, like the large drums used in orchestras, to really make the drum the musical instrument and not just the beat. otherwise awesome, great beat, great counter melody, intense yet relaxing.” These are all anonymous so I can’t respond or anything, but that’s some great feedback. The person loved the track, but gave some unique feedback on what they thought could make it even better.

So overall, as you can see, I got some really killer feedback on “Dreams Like These.” I can’t wait to start sharing more of An Unseen Sky with you all. The album should be finished in the next month or two and possibly out in March. I’m also starting to work on another new video with the same people who did my “If Only Tonight I Could Sleep” music video. So expect a ton of new music soon. In the meantime, be sure to go click on the video and leave feedback for me on Youtube! I want to hear what YOU have to say. As always, I look forward to hearing all of your feedback.

– David

2014 In Review

Echoes In The Dark (Digital Cover)

UPDATE: Make sure to scroll to the bottom for an important update that I added just before posting this blog post… Then scroll back up and read the rest haha. Happy New Year!

As 2014 comes to a close, I figured this would be a good time to take a look back at what I accomplished. This is 2014 In Review.

The first and most obvious thing was the release of the music video for “If Only Tonight I Could Sleep” and its fundraiser. We raised a lot of money that helped in getting the word out about the video, album and my music in general. The video itself got such great feedback from all across the internet. It premiered at the REEL Recovery Film Festival which was just perfect considering the subject matter of the video. People there really loved it which was a beautiful thing. It then went on to win Best Music Video at the Pollygrind Film Festival, where a year prior I won Best Experimental Music Video for my “Lights In The Sky” music video. Overall, we didn’t get into as many film festivals as we had hoped, but the feedback from the places it did play was all amazing and we still have some more we’re waiting on results from for next year.

Behind The Scenes

While “If Only Tonight I Could Sleep” was the big defining project of my career in 2014, I also did a lot of other great, exciting work. The first thing that comes to mind is all of my work with House of DON Productions and director Doug Farra. Aside from “If Only Tonight I Could Sleep,” Doug also directed “The Gradations of Purgatory,” “The Milkman,” and “Cho5en,” as well as some other smaller projects that I worked on. These three though were some of the coolest films I worked on this year and really gave me an opportunity to create some great music. I’ll be working on Doug’s first feature, “Finding The Truth” in 2015, as well as another music video for one of the songs on my second album.

I also worked on a couple of other great films from regular House of Don collaborators: Jeremy D Brooks’ “Jasper,” and Brian K Palmer’s “Spring Forward.” The premiere of “Jasper was a really fun night at the Vegas Indie Film Fest, and “Spring Forward” premiered at the Las Vegas Black Film Festival which was also a great time that I got to meet a lot of cool people at.

Speaking of film festivals, one of the most fun weeks of the year was my trip to FilmQuest at the Salt Lake City Fantasy Con. I posted a blog recap of the event where you can read all about the craziness that happened there. My music video “Broken Circuits,” was nominated for Best Music Video and the whole trip was just an amazing experience. Pollygrind was also a great time this year, as it always is. The festival organizer (and my buddy) Chad says that he may be taking a year off from Pollygrind, but I hope it comes back ASAP. It really is the most fun film festival ever.

2014-07-05 21.14.11

I worked on a bunch of other great films this year too. “Pathos” from director Eduard Ospiov was entered in the Project Greenlight competition and made it to the second round. It was nice getting to work with some new people on that one. I also started the year off working at last minute with my friend David Michor on his short “The Hoarder” which ended up being one of my favorite scores I’ve done. I then ended up working with the DP from that film on my first 48-hour film competition with a film called “Dig.” It was a wild experience scoring a short film in one morning, but it came out pretty damn great.

There were also some various for-hire composing gigs I did this year. Not as many as 2013 to be honest, but I at least kept a solid momentum going. Hopefully that side of the career will pick up next year. In the meantime I did get more of my music accepted into some music libraries, so hopefully some of that stuff gains some traction.

Which brings me to album number two. I made some of the best music of my life this year. I didn’t expect to be ready to release a 2nd album so fast, but it is coming and it’s coming soon. The album is probably 90% done. Album title and album cover are set. Tracklist is set. Songs are basically done. Just gotta really sit with the album, make sure I’m happy with everything, and then master it. I’m expecting to release it in the first few months of 2015. The first music video off the album will be for the track “Dreams Like These” and will be online on New Years Eve.

And that leaves me at 2015. I am ready to work on some amazing new projects. I actually have 3 features I may be working on (as well as “Finding The Truth” which is already set). So right off the bat, I’m gonna be plenty busy. I also have some ideas for more music videos, and I’m hoping to make those happen. More jobs, more music, more everything. I can’t wait.

UPDATE: Well well well… Guess who forgot to post his 2014 Year In Review wrap-up before 2015 hit?!? Haha. So it’s the 1st… My new music video is out, and the new album title and cover have been revealed . But that’s not all… Right before New Years Eve I found out that “If Only Tonight I Could Sleep” was chosen as an Official Selection for the Dam Short Film Festival in Boulder City! I am super excited to head back there, as I had a great time last year when “A Moral Discord” played. I’ll also be announcing very soon another festival that it was accepted to. Great way to close out the year! If you haven’t already checked it out though, make sure to check out the new video, “Dreams Like These” over on Youtube and make sure to leave a comment!

– David

 

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